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Sfinks Festival, 1989

Jeune Peinture, 1990

Stad aan de Stroom, 1990

sky viewers, 1993

Netwerk, 1998

Parvis, 1999

wings for a playground, 1999

Geen Tijd, 2000

Kunst en Zwalm, 2001

Zeezicht, 2002

Gallery Voss, 2002

Tel Aviv, 2003

Heilige Geest, 2003

Versus, 2003

Fort IV, 2003

Schildehof, 2004

blue wing, 2004

Gallery Phoebus, 2005

Lokaal 01, 2005

Super! Triënnale, 2005

Heilige Geest 2, 2006

Sehnsucht, 2006

proposal for an art intervention, 2007

White Plane, 2008

Trigger, 2008

Havermarkt, 2009

(un)balanced, 2009

A Fine Line, 2010

Disturbed Silence, 2010

composition for a market place, 2010

roundabout, 2011

aH-Ha, 2012

parallel worlds, 2012

In Between, 2013

memento mori, 2013

Glorious Failures, 2014

Al mijn vrienden zijn wetenschappers, 2014

folly for a private garden, 2014

verf na Van Eyck, 2014

fragments of a movement, 2015

project for a summer exhibition, 2015

double white, 2015

between tables and a shelter, 2015

Glorious Failure, 2016

double, 2016

glorious failure for the Last Show, 2016

Blue Planes, 2016

zwischenebenen, 2017

A shelter for bycicles, 2017

a watchtower for Doomkerke, 2018

labyrinth, 2018

Salon Blanc, 2019

_wals03_, 2019

Blue Line, 2019

‘THE IMPORTANCE OF SUFFICIENT VERTICAL SUPPORT..., 2018

straddle carrier monument, 2020

Der Schnitt, 2020

Spiral, 2020

Grote prijs Ernest Albert, 2021

'OK', 2021

Hof Ter Saksen, 2021

Het Voorstel, 2021

War Victim Memorial, 2021

De Prijkels, 2022

About Architecture, 2022

ZONDER EINDE (Endless), 2023

De Prijkels, 2022

Competition proposal for a roundabout at the entrance of an industrial area between Deinze and Nazareth (B). Realized together with fellow artist and friend Peter Morrens. A slowly moving white plane (one turn a day) emphasizes the constant in and outs of the industrial site. A large pole indicates the entrance to the site and carries words and sentences you could associate with the activities there. Architecture by Kras Architects Ghent. Landscape design Stefaan Thiers.